Hi,
Well I'm feeling generous today so I thought I'd share something with you - my little mixing secret that I discovered a while back.
Before we go on though, I need to point a couple of things out - this advice will probably be best soaked in by people who've a decent standard of mixing already, so if you're new to mixing I wouldn't recommend paying much attention as it may screw it up for you a bit.
Also, I don't fully understand how this technique works as it does - so I won't be able to explain much more than what I offer here. And finally, as far as I can tell, this will only work on Technics decks...ok, here we go:
When mucking around on my decks, I noticed something a bit strange. You know the strobe dots in the bottom left-hand corner of your 1210? Well, those are precise dots marked out very carefully - you'll see that from the legend on the deck, you can tell what speed the platter is spinning at by checking which dot is "frozen".
As far as I can work out, when a dot is frozen, the platter is spinning in complete sync with the quartz frequency. Anway, I digress...
I noticed that when my incoming track (B for short) was a little fast or slow, if I pushed or pulled the platter to sort it out, at the exact nano-second it caught up exactly, one of those little dots would always freeze for the briefest of moments.
So I've now developed a method for mixing whereby I get it as accurate as I can - I can then visually just make a dot freeze by pushing or pulling the platter (whatever is appropriate) and I know it's then ultra accurate. Doing this, in conjuction with moving the pitch, has gotten me some very nice mixes.
You can even do it without using h/phones - for some reason that tiny freeze of a dot always coincides with when your mix locks up. Try it out, you'll see.
Anyway, that's it - hope this is of interest and help to someone. If anyone does something similar, and can maybe expand and possibly explain what causes this, I'd love to hear about it.
Peace.