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  1. #1
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    Default Can they read music

    Artist in techno. Does it matter?

  2. #2
    Junior Freak
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    I expect some can, probabbly those doing more melodic techno ie Joris Voorn or claude young. I expect some of the electro producers also have had some background musical training.
    !!! POWER TO THE PEOPLE !!!

  3. #3
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    Quote Originally Posted by mrbenn
    I expect some can, probabbly those doing more melodic techno ie Joris Voorn or claude young. I expect some of the electro producers also have had some background musical training.
    I bet Vitalic can. So can Caretta. So can hacker. So can Ferox. (Ferox was a bassist in a band n so was the hacker)Most French dudes can You can tell. Just check their solo (V's 1 track n caretta's track 7 that turns into a solo) I know thats not everything but...

  4. #4
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    Most French dudes can
    Shame they eat so much smelly cheese :lol: The french do have some seriously talented electronic musicians daft punk for example. They have alot more respect for electronic music than us brits.
    !!! POWER TO THE PEOPLE !!!

  5. #5
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    Reading music is easy ......writing it is hard.
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  6. #6
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    well that too then

  7. #7
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    it definately helps being able to read music or understand small scales / tricks / chords
    R.I.P JOHN PEEL ...........

  8. #8
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    hmm my avatar is not working, dammn
    R.I.P JOHN PEEL ...........

  9. #9
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    Quote Originally Posted by OriginalTechnobastard
    Ferox was a bassist in a band n so was the hacker
    I bet I can find you more bassists that can't read music than can.

    I haven't read music since I used to do Violin / Viola / Saxophone at school.

    Haven't really needed to.

    You can get to grips with musical theory without necessarily being able to read music, IMHO.

  10. #10
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    i can read music and guitar tab, but haven't needed to in ages. if you understand music, you can look at a piano roll screen and it will convey the exact same meaning as the staff would.

  11. #11
    acieeeeeeeeeeeeed
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    its techno, you dont need to read music, yes i learnt how to read it at college, but i cant say iv'e used that knowledge since, if it sounds good to your ears, then leave it in
    Life is "trying things to see if they work"

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  12. #12
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    i go by ear

  13. #13
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    Not too sure if you really need a musical education to make complexed meldies...

    When I listen to Drexciya...or music from the UR camp. I think those guys are more technically trained (equipment ) than musical wise. The way they are using the machines, especially Drexciya, is out of this world!!

    I only know that Juan Atkins went to a recording institute.
    \"Good Things Come To Those Who Wait\"

  14. #14
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    Quote Originally Posted by audioinjection
    i go by ear
    best way imo !

  15. #15
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    Quote Originally Posted by audioinjection
    i go by ear
    I'm 100% deaf......

    Still got some problems feeling the high tones...
    Even beethoven had his critics!

  16. #16
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    I think having musical training helps no end, never did any myself, but have many contemporaries who did, and when you see them in the studio, it really shows... Mad Mike from UR records a lot of the synth lines without sequencing i.e. just multitracks playing live, I know a few other people making techno (More on the detroit or minimal angle) who work like this.. don't kid yourself that it doesn't matter, I've found coming from a non musically educated background it really puts you in your place when you work with people who have, there's a lot to be learned from people who were taught at music school, myself, I know I have...

  17. #17
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    used to but not anymore.

    better to understand sythesis of waveforms and percussion. its a new language. you gotta be part artist and part scientist - use both sides of the brain.

  18. #18
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    I know Joel Mull studied music i believe somewhere in Sweden and his music definitely reflects it.
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  19. #19
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    ya, it's funny reading boards where more "traditional" music people post. they jump up and down saying that the composer should just worry about composing, the performer performing, the recording/mixing engineer recording and mixing, and the mastering engineer mastering, and that if you try to do more than one of these tasks you are doomed to mediocrity.

    and here we are, doing all of those jobs ourselves, and often running labels or promoting shows on top of it.

  20. #20
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    Good point Evil G....very good point indeed.

 

 
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