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  1. #1
    Junior Freak
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    Default percussions n rythm

    i just cant get the grip of it
    whatever i make is either stagnant or just chaotic
    i cant seem to get that driving feel nohow
    advice or help anyone?
    So. Behind their eyes the hope in them was sickening, and in many, dead. They lived from event to event with a subtle terror of the gap between, filling up their lives with distractions to avoid the emptiness where curiosity should have been, and breathing a gasp of relief when the children passed the point of asking questions about what life was for.

  2. #2
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    study stuff you like intensively.
    use loops and see how they work. then try to re-do those loops.
    the *.rex format comes in very handy for this.
    get your hands on some percussion/beat midi files and use your own sounds with them.
    run a randomize function over an array of percussion and pick the loops that sound usable.
    practise and don't give up - that makes all the difference.

    persistence is key!

    any examples of what you are trying to achieve, tracks, artists?

  3. #3
    Junior Freak
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    lokti & rumenige - moda
    So. Behind their eyes the hope in them was sickening, and in many, dead. They lived from event to event with a subtle terror of the gap between, filling up their lives with distractions to avoid the emptiness where curiosity should have been, and breathing a gasp of relief when the children passed the point of asking questions about what life was for.

  4. #4
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    link to a snippet would be well helpful :)

  5. #5
    Junior Freak
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    So. Behind their eyes the hope in them was sickening, and in many, dead. They lived from event to event with a subtle terror of the gap between, filling up their lives with distractions to avoid the emptiness where curiosity should have been, and breathing a gasp of relief when the children passed the point of asking questions about what life was for.

  6. #6
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    Default

    this is an easy one mate.. you need to get compression working.

    that particular track would rock if you compressed that sound, took the vol of it down, and then perhaps unsed some nice sidechaining to make things pump a little off the kick...

    hope this helps!!!

  7. #7
    Junior Freak
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    haha
    u misunderstood me
    i dont need the production advice
    i need the aestetical advice

    ill send u both the track im working on
    so u can see what im on about
    So. Behind their eyes the hope in them was sickening, and in many, dead. They lived from event to event with a subtle terror of the gap between, filling up their lives with distractions to avoid the emptiness where curiosity should have been, and breathing a gasp of relief when the children passed the point of asking questions about what life was for.

  8. #8
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    POst a link to give an example of where you are at, and then we can maybe help.
    Going by the link you gave to the lotki track, it`s actually a very simple groove they got going there.
    There`s either a minor velocity movement in the kicks or a little delay, that gives that kick groove a kinda live feel.
    And the hat pattern is also pretty simple. Possibly sidechained to the kick slightly to again, give it a little ducking and movement, or again it`s just subtle velocity programming.
    There`s some little snappy hits in there too, but again, they are sparse and simple.

    I think as a rule keeping things simple, but not having static velocities is a good way of keeping beats very fluid and natural.
    Also be aware of counterpoint, or sound and return.
    ie the kick needs a counterpoint to balance against, be it a hat or clap or whatever, and it`s how you break down the countering, whether you do it every quarter bar, or half bar, or whatever, that sets up the groove.

    Being able to play the drums, or understanding drum theory also helps:)
    Solitary by nature.
    Isolation is the gift.
    Does anyone have courage to stand apart any more?

    myspace.com/dirtybassgrooves
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  9. #9
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    dunno if it's a delay or just volume stuff but it might as well be volume based. anyhow, i whacked that *.mp3 through melodyne and it came up with stomething that could be useful, at least to find out the kick pattern. i didn't use the entire mp3 but cut off something like 6 bars to analyze, nothing new after that anyway.

    i have made you some midi files that may be starting points (mainly for the kicks), one is as melodyne detected. one is slightly adjusted by me (didn't know if the pitched up sounds were intentional or melodyne ****ups). another version has been quantized. don't know if that is a no-go in that style but i did it anyway. @140 bpm, ca. 6 bars. might need to pitch up or down, dunno. you will work it out.

    nice track you have there, btw. even if i am not into the broken stuff to much, so i am no expert by any means. sounds nicely produced..

    MIDI:

    http://www.mediafire.com/?al5mjzlndnm

  10. #10
    Junior Freak
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    Quote Originally Posted by dirty_bass View Post
    Being able to play the drums, or understanding drum theory also helps:)
    yeah, im trying to find some books on rythm theory
    and i think i found some
    but nvm

    link sent to pm :]

    @loopdon thanks, ill try this
    So. Behind their eyes the hope in them was sickening, and in many, dead. They lived from event to event with a subtle terror of the gap between, filling up their lives with distractions to avoid the emptiness where curiosity should have been, and breathing a gasp of relief when the children passed the point of asking questions about what life was for.

  11. #11
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    it does sound similar i guess :)

    you might have to leave out notes that might not belong to the kick pattern..

    i guess loading up the mp3 in your daw together with the midi file(s) would be the best way to follow the pattern played.

    like this:

    channel one: midi pattern -----------------------------------------------
    channel two: mp3 -----------------------------------------------

    so you can hear/see what's going on and in how far the midi is correct.

    please report back, i'd be interested. you could even cut out a kick drum from the mp3 and let that be played by the midi.

  12. #12
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    i tried what i suggested and made some variations. i basically cut up a part of the mp3 and used the kick drums samples i gained for some loops. it's whacky, i know, hehe.

    here's a loop package, 4 bars each @140 bpm:

    three different kicks cut from the mp3, each loop with swing and without. seemed to make the shizzle gel better.

    http://www.mediafire.com/?7mzmdmou0rm

  13. #13
    Junior Freak
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    is nice
    haha
    i just might try using this stuff in my next track
    can u tell me again what did u use to get that midi track?
    So. Behind their eyes the hope in them was sickening, and in many, dead. They lived from event to event with a subtle terror of the gap between, filling up their lives with distractions to avoid the emptiness where curiosity should have been, and breathing a gasp of relief when the children passed the point of asking questions about what life was for.

  14. #14
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    celemony melodyne:

    http://www.celemony.com/cms/



    absolutely stunning program.

    different detection modes

    - 'percussive'
    - 'melodic'
    - 'polyphonic'

    there's a vst version as well. but that doesn't have the same functions. superb nonetheless.

    melodyne is the 'industry standard', i'd say.

    i used it to analyze bassline-patterns from tracks as well. esp. good when the bassline patterns are free, i.e. in a break without percussion clogging the detection up.

 

 

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