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  1. #1
    Junior Freak
    Join Date
    Apr 2004
    Location
    Van, BC, Canada
    Posts
    180

    Default quick live-pa acid track

    Holas,

    Just heard about this forum. Looks awesome!

    I'm seeking feedback on this little cut from my liveset a month ago in Vancouver, Canada - crowd wasn't huge, as it was a Wednesday night at midnight, but the 50 or so that were there were very supportive.

    http://lfo.fsck.org/~drew/mux_-_coll...y_20040225.mp3

    The track is called "Collaborate", and has a few notable uncleared samples, so it's not suitable for anything other than live use - but I think it's pretty good. Composition wise, I think I need to return to the original theme and make the second half more of a bridge, but who knows - this is just how it flowed out this time. :)

    Gear used: er - instead of a list, try this instead. :) No laptop, anyway.

    Recording was done on both a Sony stereo mic high up in the room into a minidisc recorder, and off the mixer into a DAT recorder. Mixed together quickly in Logic and released.

    Thoughts? My plan this year is to stop focusing so much on the live-PA side of things, get my nose against the grindstone and make some releasable tracks - any recommendations on labels to send my stuff to? My friend says I've missed the boat by about three years. :/
    http://mux.ca <-- techno lives here

  2. #2
    acieeeeeeeeeeeeed
    Join Date
    Jul 2003
    Location
    sheffield
    Posts
    20,976

    Default

    love the acid line but i found the high pitched noises a little distracting
    Life is "trying things to see if they work"

    Finally getting around to updating my site
    http://www.plus27design.co.uk/

    Dave knows scooter lyrics

  3. #3
    Junior Freak
    Join Date
    Apr 2004
    Location
    Van, BC, Canada
    Posts
    180

    Default

    Ahh, ok - those noises are actually two samples - Ghandi from Clone High, saying "G-Spot rocks the g-spot!", and some scream taken from a friend's DJ scratch battle record. :) Agreed, they need to be EQ'd and toned down a bit - I think a lot of the harshness comes from the stereo mic in the room it was recorded in... I have a minidisc problem, where if I use *my* minidisc recorder, it does this great auto-compression thing that makes the recording pump and breath with the bass, but unfortunately, for some reason the recording skips... if I borrow my friend's older minidisc recorder, it doesn't skip, but it doesn't have teh auto-compression thing either, so when the SPL gets too high, it distorts. This recording was using his minidisc recorder, so the distortion may be adding to the in-your-faceness of the high end.

    Thanks for your comments! Constructive critiques are always appreciated, the blunter the better!
    http://mux.ca <-- techno lives here

 

 

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